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  • However, while her contemporary, Rainis, was able to raise his voice against the entire social structure, Aspazija, even in her best works, never went beyond petty-bourgeois radicalism. This is why, after her initial realistic works, she turned to romantic lyrics that reflected the emotional life of contemporary petty-bourgeois women who were fighting against domestic oppression. Examples of such lyrics include "Red Flowers" and "Soul

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